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mono.kultur #30: Chris Ware
  • mono.kultur #30: Chris Ware
  • mono.kultur #30: Chris Ware
  • mono.kultur #30: Chris Ware
  • mono.kultur #30: Chris Ware
  • mono.kultur #30: Chris Ware
  • mono.kultur #30: Chris Ware
  • mono.kultur #30: Chris Ware
  • mono.kultur #30: Chris Ware
  • mono.kultur #30: Chris Ware
  • mono.kultur #30: Chris Ware


“The one thing I don’t want to be is a storyteller.”

mono.kultur #30 / Winter 2011/12
English / 15 x 20 cm / 28 Pages, 12-Page Concertina & Separate Dust Cover
Chris Ware draws comics – but not the kind of comics you know. Chris Ware’s comics are about sad children, lonely outcasts and depressed superheroes. In meticulously and painstakingly detailed artwork, they draw the world as a dark and lonely place in suitably muted shades. It is a world of defects and deficits, of social isolation, emotional pain and personal failure in modern life. And yet, they are so utterly intriguing and hopelessly charming that one can’t help but feel something akin to true joy when reading Chris Ware.

Working as an illustrator to many venerable titles, such as The New Yorker, it is with his graphic novel ‘Jimmy Corrigan – The Smartest Kid on Earth’ that Chris Ware gained worldwide acclaim, beyond the usual comic circles and was in fact the first graphic novelist to be awarded the Guardian First Book Award in 2001, as well as being the first comic artist invited to participate at the Whitney Biennial. Since then, he has been developing a series of ongoing stories over hundreds of carefully crafted pages in his self-published Acme Novelty Library, while the boundaries of comics as we know them quietly extended a little further outwards.

Chris Ware talked with mono.kultur about writing versus storytelling, the death of irony and our collective refusal to grow up.

This issue comes with a beautiful concertina for an overview of Chris Ware’s artwork, folding and unfolding in ever so many ways.

Interview by Urs Bellermann / Artwork by Chris Ware / Design by Studio8

“I hope that it wasn’t too painful and annoying, or that if so, at least being done with it is like having left a burning building and getting out into fresh air.”
— Chris Ware

“Another brilliant issue from the Berlin-based magazine where form follows feature, with each issue’s design tailored to mirror the interviewee’s style. We think it’s a stroke of genius. This time the legendary cartoonist Chris Ware gets a retrospective in a technicolor extravaganza of pull-out content. Needs no more explanation really – in the words of Destiny’s Child, it’s ‘so good’.”
It's Nice That

“Chris Ware – that is a one man-revolution of writing in pictures.”
Frankfurter Allgemeine Zeitung

“The latest edition of mono.kultur is a must-have for magazine fans. Regular readers won’t be surprised to hear that, but this issue has special interest for magaholics everywhere.”

“Launched in September 2005 and with issue 30 just out, mono.kultur has taken its time to build an enviable reputation for quality across editorial, design and finishing.”
Jeremy Leslie for Creative Review / February 2012

"The intimate interview looks at every aspect Ware’s illustrious career and includes great insight to his work — a must-have for any Ware fan!"
Beguiling Books and Art

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