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mono.kultur #45 / Richard Price
  • mono.kultur #45 / Richard Price
  • mono.kultur #45 / Richard Price
  • mono.kultur #45 / Richard Price
  • mono.kultur #45 / Richard Price
  • mono.kultur #45 / Richard Price
  • mono.kultur #45 / Richard Price
  • mono.kultur #45 / Richard Price
  • mono.kultur #45 / Richard Price
  • mono.kultur #45 / Richard Price
  • mono.kultur #45 / Richard Price
  • mono.kultur #45 / Richard Price
  • mono.kultur #45 / Richard Price

#45 / RICHARD PRICE: NEW YORK A.M.

“I need to be ever present.”

mono.kultur #45 / Spring 2018
English / 15 x 20 cm / 52 Pages / Printed on Two Different Stocks of Paper / Cover with Foil Embossing
mono.kultur #45 is our homage to the great mythical city that is New York. And who better to talk to about New York than Richard Price? The acclaimed writer gained international attention with novels such as Clockers and Lush Life, and his work for numerous films and television serials, including The Night Of and The Wire. But what he is really known for are his gritty observations of urban life and sharp ear for the rhythms of language.

While his books are usually filed in the crime section, they easily transcend all genres with their precise and tender depictions of New York life on street level. Embracing multiple perspectives, his novels
dissect the clash of different realities within the same block, listening in on ‘the liars, the heroes, the killers, the killed, the stunned, the clownish, the helpless, the bereaved.’

When it comes to research, Richard Price adopts a hands-on approach: hanging out in different neighbourhoods, talking to strangers and going for ride-alongs with cops to see a darker side of the city. In many ways, it is this wide-eyed curiosity that allows his books to be read as time capsules of a New York in constant flux, revealing an uncanny understanding for knowing exactly what people want, need, envy and resent about the cities they inhabit.

In a conversation peppered with anecdotes and bebop, Richard Price talked to mono.kultur about the need to live in order to write, working for Hollywood, and why hanging out is a professional matter.

Visually, the conversation with Richard Price found its perfect sparring partner in a selection of images by cab driver turned photographer Joseph Rodriguez. And, just between us, we are proud to feature our very first ever foil embossed cover, in the honourable tradition of pulp novels.

Interview by Max Nelson / Photography by Joseph Rodriguez / Design by mono.studio

“Thank you for a great magazine. All the extra work we put in was utterly worth it.”
— Richard Price

"It is my honor to be published along side Richard Price, a storyteller mentor and hero for me. It was his early works that taught me so much how to listen and be patient for capturing detail and moments. Mr. Price, you truly inspired my Spanish Harlem book project."
Joseph Rodriguez

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